GREEK DRAMA PAGES (mrs. d's classes)

 

Greece:

Athens: (compare to Shakespeare's London: )

 

The Acropolis:

 

The Theater of Dionysus:

check this out & this

 

Other Extant Theaters:

 

Reconstruciton & Fantasy: more

 

Festival of Dionysus:

Two of the major festivals in honor of the god Dionysus (Roman: Bacchus) were the rural and the city Dionysia. Though not the most important Athenian festival – which would be the Panathenaea (all-Athenian) festival in honor of Athena (the goddess of wisdom after whom the city of Athens was named), these were a big deal in the life of an Athenian. The rural Dionysia were in the winter and gave Athenians a chance to venture out of the city. The urban Dionysia, which occurred in what is now March or April, was very much a coming together of the city.

“According to tradition the festival was established after Eleutherae, a town on the border between Attica and Boeotia, chose to become part of Attica. The Eleuthereans brought a statue of Dionysus to Athens, which was initially rejected by the Athenians. Dionysus then punished the Athenians with a plague that was cured by a procession of citizens carrying phalloi.” (Wiki, 9/2007)

“According to tradition, the first performance of tragedy at the Dionysia was by the playwright and actor Thespis (from whom we have the word "thespian") in 534 BC. His prize was a goat, a common symbol of Dionysus, and possibly the origin of the word "tragedy" (which perhaps means "goat-song").” (WIKI)

Note the basic structural elements of a standard Greek play as Aristotle noted it (the episode and stasimons repeat):

prologue          exposition and back-story, usually spoken by one character
parodos          entrance of the chorus as it dances
                        this sometimes begins the play
                        introduce the chorus
                        continue the exposition
                        sets tone
1st episode       when the characters and chorus talk in turns, develop the action
stasimon        choral songs, separating the episodes
                        usually reflects upon the action of the episode, 2nd episode and stasimon, etc.

Note: The plays developed out of the choral competitions and celebrations the Greeks had. Slowly, over time, they added one person speaking to the chorus, then two people speaking to each other, then three people speaking to each other, etc.

The Chorus shows the roots in choral competition:

As does the music: Found music from Ancient Greece

Masks:

 

LET'S CHECK OUT SOME PERFORMANCES!

National Theater of London (Peter Hall)

Modern Chorus at Epidarus

Andromache

 

 

 

Some key dates (many of which are approximate)